Video by David Millstone

Flock Dance Troupe from David Millstone on Vimeo.

Ritual - embedded in our performances

CREMATION: Dancer flames, collectively cleansing

Where a live performance takes place is a sacred space.  What you are experiencing will only happen once in that particular way.  With all the time and energy that goes into creating a Flock performance  we consciously add a specific thought towards what we’d like to see changed.  At a particular moment of transformation in a show, each performer fills in their own wish/prayer.

Ritual is often associated with a repeated prayer-like action, the calling in of what is needed.  Through ritual we can help to bring forward what we envision and  imagine what is possible.  By linking a wish for change to a discovered special place or time, the connection both to our surroundings and to our self expands and strengthens our sense of purpose.

Promoting Planetary Change

WATER as blue rope

During a choreographed dance depicting cremation and purification, there came a high energy moment when the dancers, individually, displayed their own compact solo expression of cleansing.  Each chose and transmitted at that moment, their own idea of a specific change that they wanted to make happen in the world.  They then moved into a circle, turning as a collective wheel of fiery energy. There was a rising thrust of wind-like power, up and out, carrying all their individually held wish-prayers and producing healing energy for our planet.

THE RETURN OF WATER being conjured by children

Honoring Water and its care is a most important element that Flock frequently addresses.  After warring over water, dancers redistribute water by untangling the complexities that the “owners” of our water have brought upon us.

Dance from Art

Grandmothers Dance
In the Cowboy Hall of Fame Museum of   Western Art in Oklahoma City,  I saw a simple drawing of two native Women sitting on the ground, side by side, each facing in opposite directions.  There was a strong feeling of solid connection between them and of the strong quiet power that these women possessed. The idea of the women carrying the care of the future generations came to me.  The Grandmother's dance came about towards the end of a full length work needing a pivotal moment of transformation. These Grandmothers were able to connect over same concerns and create a wind storm of change to the world. The entire dance remained with the Grandmothers sitting side by side on the ground.

Women Carrying Water
Augustus St. Gaudens created a relief of a procession of Greek Women carrying jugs. He loved parades and processions, as do I. The grace that comes from labor that a body continuously repeats is dance.  Much traditional dance the world over, has deriven from the physical work at hand. In line with many painters, this is a favorite aspect of my choreographic vocabulary.

The gathering of women at the village water hole and gathering around water and the many ways in which this precious element is transported has caught my interest. We performed this procession in Cornish, New Hampshire, where St. Gaudens had his home, as did Maxfield Parish.  The light that embraced our procession caught the colors and startling light that Parish himself captured in his paintings. 




Gleaning is another physical work dance, and, again, often done by women as Monet shows us.  It has  always been the women who do the most stooping. Why not celebrate this motion as there comes a rhythmic pattern to leaning over,  picking up andtucking the hay into a growing bundle on your arm as you move to pick up the next bit.

Christina’s World by Andrew Wyeth brought me to think about what it’s like if we are lacking something important.  Concern for how gadgets and the web of 
communication that is with us at all times have taken us so far away from being present led me to connect to Christina’s world.  As a young adult I made a decision to increase the use of my senses for the rest
of my life. I imagine and dance what Christina notices there in the field by herself, not able to walk away.  The entire dance is done with her back facing the audience. She hears something, and we see her turn to find it and see her satisfaction upon recognizing a certain bird. She notices a clover blossom growing within reach and picks it to pull each honeyed cluster of petals into her mouth to taste that tiny sweetness.  It ends with her sensing something strange and unknown coming near.